THE vitality of old governesses deserves an explanatory memorandum by a good physiologist. It is remarkable. They tend to survive the grown-up married men and women they once taught as children. They hang on for ever, as a man might put it crudely, a man, that is, who, taught by one of them in his earliest schoolroom days, would answer enquiries fifty years later without enthusiasm: "Oh we keep her going, yes. She doesn't want for anything!"

Miss Helena Speke had taught the children of a distinguished family, and these distinguished children, with expensive progeny of their own now, still kept her going. They had clubbed together, seeing that Miss Speke retained her wonderful health, and had established her in a nice little house where she could take respectable lodgers—men for preference—giving them the three B's, bed, bath, breakfast. Being a capable woman, Miss Speke more than made both ends meet. She wanted for nothing. She kept going.

Applicants for her rooms, especially for the first-floor suite, had to be recommended. She had a stern face for those who rang the bell without a letter in their pockets. She never advertised. Indeed, there was no need to do so. The two upper floors had been occupied by the same tenants for many years—a chief clerk in a branch bank and a retired clergyman respectively. It was only the best suite that sometimes "happened to be vacant at the moment." From two guineas inclusive before the war, her price for this had been raised, naturally, to four, the tenant paying his gas-stove, light, and bath extra. Breakfast—she prided herself legitimately on her good breakfasts—was included.

For a long time now this first-floor suite had been unoccupied. The cost of living worried Miss Speke, as it worried most other people. Her servant was cheap but incompetent, and once she could let the suite she meant to engage a better one. The distinguished children were scattered out of reach about the world; the eldest had been killed in the war; a married one, a woman, lived in India; another married one was in the throes of divorce—an expensive business; and the fourth, the most generous and last, found himself in the Bankruptcy Court, and so was unable to help.

It was in these conditions that Miss Speke, her vitality impaired, decided to advertise. Although she inserted the words "references essential," she meant in her heart to use her own judgment, and if a likely gentleman presented himself and agreed to pay her price, she might accept him. The clergyman and the bank official upstairs were a protection, she felt. She invariably mentioned them to applicants: "I have a clergyman of the Church of England on the top floor. He's been with me for eleven years. And a banker has the floor below. Mine is a very quiet house, you see." These words formed part of the ritual she recited in the hall, facing her proposed tenants on the linoleum by the hat-rack; and it was these words she addressed to the tall, thin, pale-faced man with scanty hair and spotless linen, who informed her that he was a tutor, a teacher of higher mathematics to the sons of various families—he mentioned some first-class names where references could be obtained—a student besides and something of an author in his leisure hours. His pupils he taught, of course, in their respective houses, one being in Belgrave Square, another in The Albany; it was only after tea, or in the evenings, that he did his own work. All this he explained briefly, but with great courtesy of manner.

Mr. Thorley was well spoken, with a gentle voice, kind, far-seeing eyes, and an air of being lonely and uncared for that touched some forgotten, dried-up spring in Miss Speke's otherwise rather cautious heart. He looked every inch a scholar—"and a gentleman," as she explained afterwards to everybody who was interested in him, these being numerous, of unexpected kinds, and all very close, not to say unpleasantly close, questioners indeed. But what chiefly influenced her in his favour was the fact, elicited in conversation, that years ago he had been a caller at the house in Portman Square where she was governess to the distinguished family. She did not exactly remember him, but he had certainly known Lady Araminta, the mother of her charges.

Thus it was that Mr. Thorley—John Laking Thorley, M.A., of Jesus College, Cambridge—was accepted by Miss Speke as tenant of her best suite on the first floor at the price mentioned, breakfast included, winning her confidence so fully that she never went to the trouble even of taking up the references he gave her. She liked him, she felt safe with him, she pitied him. He had not bargained, nor tried to beat her down. He just reflected a moment, then agreed. He proved, indeed, an exemplary lodger, early to bed and not too early to rise, of regular habits, thoughtful of the expensive new servant, careful with towels, electric light, and ink-stains, prompt in his payments, and never once troubling her with complaints or requests, as other lodgers did, not excepting the banker and the clergyman. Moreover, he was a tidy man, who never lost anything, because he invariably put everything in its proper place and thus knew exactly where to look for it. She noticed this tidiness at once.

Miss Speke, especially in the first days of his tenancy, studied him, as she studied all her lodgers. She studied his room, when he was out "of a morning." At her leisure she did this, knowing he would never break in and disturb her unexpectedly. She was neither prying nor inquisitive, she assured herself, but she was curious. "I have a right to know something about the gentlemen who sleep under my roof with me," was the way she put it in her own mind. His clothes, she found, were ample, including evening dress, white gloves, and an opera hat. He had plenty of boots and shoes. His linen was good. His wardrobe, indeed, though a trifle uncared for, especially his socks, was a gentleman's wardrobe. Only one thing puzzled her. The full-length mirror, standing on mahogany legs—a present from the generous "child," now in the Bankruptcy Court, and, a handsome thing, a special attraction in the best suite—this fine mirror Mr. Thorley evidently did not like. The second or third morning he was with her she went to his bedroom before the servant had done it up, and saw, to her surprise, that this full-length glass stood with its back to the room. It had been placed close against the wall in a corner, its unattractive back turned outward.

"It gave me quite a shock to see it," as she said afterwards. "And such a handsome piece, too!"

Her first thought, indeed, sent a cold chill down her energetic spine. "He's cracked it!" But it was not cracked. She paused in some amazement, wondering why her new lodger had done this thing; then she turned the mirror again into its proper position, and left the room. Next morning she found it again with its face close against the wall. The following day it was the same—she turned it round, only to find it the next morning again with its back to the room.

She asked the servant, but the servant knew nothing about it.

"He likes it that way, I suppose, mum," was all Sarah said. "I never laid a 'and on it once."

Miss Speke, after much puzzled consideration, decided it must be something to do with the light. Mr. Thorley, she remembered, wore horn-rimmed spectacles for reading. She scented a mystery. It caused her a slight—oh, a very slight—feeling of discomfort. Well, if he did not like the handsome mirror, she could perhaps use it in her own room. To see it neglected hurt her a little. Not many furnished rooms could boast a full-length glass, she reflected. A few days later, meeting Mr. Thorley on the linoleum before the hat-rack, she enquired if he was quite comfortable, and if the breakfast was to his liking. He was polite and even cordial. Everything was perfect, he assured her. He had never been so well looked after. And the house was so quiet.

"And the bed, Mr. Thorley? You sleep well, I hope." She drew nearer to the subject of the mirror, but with caution. For some reason she found a difficulty in actually broaching it. It suddenly dawned upon her that there was something queer about his treatment of that full-length glass. She was by no means fanciful, Miss Speke, retired governess; only the faintest suspicion of something odd brushed her mind and vanished. But she did feel something. She found it impossible to mention the handsome thing outright.

"There's nothing you would like changed in the room, or altered?" she enquired with a smile, "or—in any way put different—perhaps?"

Mr. Thorley hesitated for a moment. A curious expression, half sad, half yearning, she thought, lit on his thoughtful face for one second and was gone. The idea of moving anything seemed distasteful to him.

"Nothing, Miss Speke, I thank you," he replied courteously, but without delay. "Everything is really just as I like it." Then, with a little bow, he asked: "I trust my typewriter disturbs nobody. Please let me know if it does."

Miss Speke assured him that nobody minded the typewriter in the least, nor even heard it, and, with another charming little bow and a smile, Mr. Thorley went out to give his lessons in the higher mathematics.

"There!" she reflected, "and I never even asked him!" It had been impossible.

From the window she watched him going down the street, his head bent, evidently in deep thought, his books beneath his arm, looking, she thought, every inch the gentleman and the scholar that he undoubtedly was. His personality left a very strong impression on her mind. She found herself rather wondering about him. As he turned the corner Miss Speke owned to two things that rose simultaneously in her mind: first, the relief that the lodger was out for the day and could be counted upon not to return unexpectedly; secondly, that it would interest her to slip up and see what kind of books he read. A minute later she was in his sitting-room. It was already swept and dusted, the breakfast cleared away, and the books, she saw, lay partly on the table where he had just left them and partly on the broad mantelpiece he used as a shelf. She was alone, the servant was downstairs in the kitchen. She examined Mr. Thorley's books.

The examination left her bewildered and uninspired. "I couldn't make them out at all," she put it. But they were evidently what she called costly volumes, and that she liked. "Something to do with his work, I suppose—mathematics, and all that," she decided, after turning over pages covered with some kind of hieroglyphics, symbols being a word she did not know in that connection. There was no printing, there were no sentences, there was nothing she could lay hold of, and the diagrams she thought perhaps were Euclid, or possibly astronomical. Most of the names were odd and quite unknown to her. Gauss! Minowski! Lobatchewski! And it affronted her that some of these were German. A writer named Einstein was popular with her lodger, and that, she felt, was a pity, as well as a mistake in taste. It all alarmed her a little; or, rather she felt that touch of respect, almost of awe, pertaining to some world entirely beyond her ken. She was rather glad when the search—it was a duty—ended.

"There's nothing there," she reflected, meaning there was nothing that explained his dislike of the full-length mirror. And, disappointed, yet with a faint relief, she turned to his private papers. These, since he was a tidy man, were in a drawer. Mr. Thorley never left anything lying about. Now, a letter Miss Speke would not have thought of reading, but papers, especially learned papers, were another matter. Conscience, nevertheless, did prick her faintly, as she cautiously turned over sheaf after sheaf of large white foolscap, covered with designs, and curves, and diagrams in ink, the ink he never spilt, and assuredly in his recent handwriting. And it was among these foolscap sheets that she suddenly came upon one sheet in particular that caught her attention and even startled her. In the centre, surrounded by scriggly hieroglyphics, numbers, curves and lines meaningless to her, she saw a drawing of the full-length mirror. Some of the curves ran into it and through it, emerging on the other side. She knew it was the mirror because its exact measurements were indicated in red ink.

This, as mentioned, startled her. What could it mean? she asked herself, staring intently at the curious sheet, as though it must somehow yield its secret to prolonged even if unintelligent enquiry. "It looks like an experiment or something," was the furthest her mind could probe into the mystery, though this, she admitted, was not very far. Holding the paper at various angles, even upside down, she examined it with puzzled curiosity, then slowly laid it down again in the exact place whence she had taken it. That faint breath of alarm had again suddenly brushed her soul, as though she approached a mystery she had better leave unsolved.

"It's very strange—" she began, carefully closing the drawer, but unable to complete the sentence even in her mind. "I don't think I like it—quite," and she turned to go out. It was just then that something touched her face, tickling one cheek, something fine as a cobweb, something in the air. She picked it away. It was a thread of silk, extremely fine, so fine, indeed, that it might almost have been a spider's web of gossamer such as one sees floating over the garden lawn on a sunny morning. Miss Speke brushed it away, giving it no further thought, and went about her usual daily duties.


But in her mind was established now a vague uneasiness, though so vague that at first she did not recognise it. Her thought would suddenly pause. "Now, what is it?" she would ask herself. "Something's on my mind. What is it I've forgotten?" The picture of her first-floor lodger appeared, and she knew at once. "Oh, yes, it's that mirror and the diagrams, of course." Some taut wire of alarm was quivering at the back of her mind. It was akin to those childhood alarms that pertain to the big unexplained mysteries no parent can elucidate because no parent knows. "Only God can tell that," says the parent, evading the insoluble problem. "I'd better not think about it," was the analogous conclusion reached by Miss Speke. Meanwhile the impression the new lodger's personality made upon her mind perceptibly deepened. He seemed to her full of power, above little things, a man of intense and mysterious mental life. He was constantly and somewhat possessingly in her thoughts. The mere thought of him, she found, stimulated her.

It was just before luncheon, as she returned from her morning marketing, that the servant drew her attention to certain marks upon the carpet of Mr. Thorley's sitting-room. She had discovered them as she handled the vacuum cleaner — faint, short lines drawn by dark chalk or crayons, in shape like the top or bottom right-angle of a square bracket, and sometimes with a tiny arrow shown as well. There were occasional other marks, too, that Miss Speke recognised as the hieroglyphics, she called squiggles. Mistress and servant examined them together in a stooping position. They found others on the bedroom carpet, too, only these were not straight; they were small curved lines; and about the feet of the full-length mirror they clustered in a quantity, segments of circles, some large, some small. They looked as if someone had snipped off curly hair, or pared his finger-nails with sharp scissors, only considerably larger, and they were so faint that they were only visible when the sunlight fell upon them.

"I knew they was drawn on," said Sarah, puzzled, yet proud that she had found them, "because they didn't come up with the dust and fluff."

"I'll—speak to Mr. Thorley," was the only comment Miss Speke made. "I'll tell him." Her voice was not quite steady, but the girl apparently noticed nothing.

"There's all this, too, please, mum." She pointed to a number of fine silk threads she had collected upon a bit of newspaper, preparatory to the dust-bin. "They was stuck on the cupboard door and the walls, stretched all across the room, but rather 'igh up. I only saw them by chance. One caught on my face."

Miss Speke stared, touched, examined for some seconds without speaking. She remembered the thread that had tickled her own cheek. She looked enquiringly round the room, and the servant, following her suggestion, indicated where the threads had been attached to walls and furniture. No marks, however, were left; there was no damage done.

"I'll mention it to Mr. Thorley," said her mistress briefly; unwilling to discuss the matter with the new servant, much less to admit that she was uncomfortably at sea. "Mr. Thorley," she added, as though there was nothing unusual, "is a high mathematician. He makes—measurements and—calculations of that sort." She had not sufficient control of her voice to be more explicit, and she went from the room aware that, unaccountably, she was trembling. She had first gathered up the threads, meaning to show them to her lodger when she demanded an explanation. But the explanation was delayed, for—to state it bluntly—she was afraid to ask him for it. She put it off till the following morning, then till the day after, and, finally, she decided to say nothing about the matter at all. "I'd better leave it, perhaps, after all," she persuaded herself. "There's no damage done, anyhow. I'd better not inquire." All the same she did not like it. By the end of the week, however, she was able to pride herself upon her restraint and tact; the marks on the carpet, rubbed out by the girl, were not renewed, and the fine threads of silk were never again found stretching through the air from wall to furniture. Mr. Thorley had evidently noticed their removal and had discontinued what he had observed was an undesirable performance. He was a scholar and a gentleman. But he was more. He was frank and straight-dealing. One morning he asked to see his landlady and told her all about it himself.

"Oh," he said in his pleasantest, easiest manner when she came into the room, "I wanted to tell you, Miss Speke—indeed, I meant to do so long before this—about the marks I made on your carpets"—he smiled apologetically—" and the silk threads I stretched. I use them for measurements—for problems I set my pupils, and one morning I left them there by mistake. The marks easily rub out. But I will use scraps of paper instead another time. I can pin these on—if you will kindly tell your excellent servant not to touch them—er—they're rather important to me." He smiled again charmingly, and his face wore the wistful, rather yearning expression that had already appealed to her. The eyes, it struck her, were very brilliant. "Any damage," he added—"though, I assure you, none is possible really—I would, of course, make good to you, Miss Speke."

"Thank you, Mr. Thorley," was all Miss Speke could find to say, so confused was her mind by troubling thoughts and questions she dared not express. "Of course—this is my best suite, you see."

It was all most amicable and pleasant between them.

"I wonder—have my books come?" he asked, as he went out. "Ah, there they are, I do believe!" he exclaimed, for through the open front door a van was seen discharging a very large packing-case.

"Your books, Mr. Thorley—?" Miss Speke murmured, noting the size of the package with dismay. "But I'm afraid—you'll hardly find space to put them in," she stammered. "The rooms—er"—she did not wish to disparage them—"are so small, aren't they?"

Mr. Thorley smiled delightfully. "Oh, please do not trouble on that account," he said. "I shall find space all right, I assure you. It's merely a question of knowing where and how to put them," and then proceeded to give the men instructions.

A few days later a second case arrived.

"I'm expecting some instruments, too," he mentioned casually, "mathematical instruments," and he again assured her with his confident smile that she need have no anxiety on the score of space. Nor would he dent the walls or scrape the furniture the least little bit. There was always room, he reminded her gently again, provided one knew how to stow things away. Both books and instruments were necessary to his work. Miss Speke need feel no anxiety at all.

But Miss Speke felt more than anxiety, she felt uneasiness, she felt a singular growing dread. There lay in her a seed of distress that began to sprout rapidly. Everything arrived as Mr. Thorley had announced, case upon case was unpacked in his room by his own hands. The straw and wood she used for firing purposes, there was no mess, no litter, no untidiness, nor were walls and furniture injured in any way. What caused her dread to deepen into something bordering upon actual alarm was the fact that, on searching Mr. Thorley's rooms when he was out, she could discover no trace of any of the things that had arrived. There was no sign of either books or instruments. Where had he stored them? Where could they lie concealed? She asked herself innumerable questions, but found no answer to them. These stores, enough to choke and block the room, had been brought in through the sitting-room door. They could not possibly have been taken out again. They had not been taken out. Yet no trace of them was anywhere to be seen. It was very strange, she thought; indeed, it was more than strange. She felt excited. She felt a touch of hysterical alarm.

Meanwhile, thin strips of white paper, straight, angled, curved, were pinned upon the carpet; threads of finest silk again stretched overhead connecting the top of the door lintel with the window, the high cupboard with the curtain rods—yet too high to be brushed away merely by the head of anyone moving in the room. And the full-length mirror still stood with its face close against the wall.

The mystery of these aerial entanglements increased Miss Speke's alarm considerably. What could their purpose be? "Thank God," she thought, "this isn't war time!" She knew enough to realise their meaning was not "wireless." That they bore some relation to the lines on the carpet and to the diagrams and curves upon the paper, she grasped vaguely. But what it all meant baffled her and made her feel quite stupid. Where all the books and instruments had disappeared added to her bewilderment. She felt more and more perturbed. A vague, uncertain fear was worse than something definite she could face and deal with. Her fear increased. Then, suddenly, yet with a reasonable enough excuse, Sarah gave notice.

For some reason Miss Speke did not argue with the girl. She preferred to let the real meaning of her leaving remain unexpressed. She just let her go. But the fact disturbed her extraordinarily. Sarah had given every satisfaction, there had been no sign of a grievance, no complaint, the work was not hard, the pay was good. It was simply that the girl preferred to leave. Miss Speke attributed it to Mr. Thorley. She became more and more disturbed in mind. Also she found herself, more and more, avoiding her lodger, whose regular habits made such avoidance an easy matter. Knowing his hours of exit and entrance, she took care to be out of the way. At the mere sound of his step she flew to cover. The new servant, a stupid, yet not inefficient country girl, betrayed no reaction of any sort, no unfavourable reaction at any rate. Having received her instructions, Lizzie did her work without complaint from either side. She did not remove the paper and the thread nor did she mention them. She seemed just the country clod she was. Miss Speke, however, began to have restless nights. She contracted an unpleasant habit: she lay awake—listening.


As the result of one of these sleepless nights she came to the abrupt conclusion that she would be happier without Mr. Thorley in the house—only she had not the courage to ask him to leave. The truth was she had not the courage to speak to him at all, much less to give him notice, however nicely.

After much cogitation she hit upon a plan that promised well: she sent him a carefully worded letter explaining that, owing to increased cost of living, she found herself compelled to raise his terms. The "raise" was more than considerable, it was unreasonable, but he paid what she demanded, sending down a cheque for three months in advance with his best compliments. The letter somehow made her tremble. It was at this stage she first became aware of the existence in her of other feelings than discomfort, uneasiness, and alarm. These other feelings, being in contradiction of her dread, were difficult to describe, but their result was plain—she did not really wish Mr. Thorley to go after all. His friendly "compliments," his refusal of her hint, caused her a secret pleasure. It was not the cheque at the increased rate that pleased her—it was simply the fact that her lodger meant to stay.

It might be supposed that some delayed sense of romance had been stirred in her, but this really was not the case at all. Her pleasure was due to another source, but to a source uncommonly obscure and very strange. She feared him, feared his presence, above all, feared going into his room, while yet there was something about the mere idea of Mr. Thorley that entranced her. Another thing may as well be told at once—she herself faced it boldly—she would enter his dreaded room, when he was out, and would deliberately linger there. There was an odd feeling in the room that gave her pleasure, and more than pleasure—happiness. Surrounded by the enigmas of his personality, by the lines and curves of white paper pinned upon her carpet, by the tangle of silken threads above her head, by the mysterious books, the more than mysterious diagrams in his drawer—yet all these, even the dark perplexity of the rejected mirror and the vanished objects, were forgotten in the curious sense of happiness she derived from merely sitting in his room. Her fear contained this other remarkable ingredient—an uncommon sense of joy, of liberty, of freedom. She felt exaltée.

She could not explain it, she did not attempt to do so. She would go shaking and trembling into his room, and a few minutes later this sense of uncommon happiness—of release, almost of escape, she felt it—would steal over her as though in her dried-up frozen soul spring had burst upon midwinter, as though something that crawled had suddenly most gloriously found wings. An indescribable exhilaration caught her.

Under this influence the dingy street turned somehow radiant, and the front door of her poor lodging-house opened upon blue seas, yellow sands, and mountains carpeted with flowers. Her whole life, painfully repressed and crushed down in the dull service of conventional nonentities, flashed into colour, movement, and adventure. Nothing confined her. She was no longer limited. She knew advance in all possible directions. She knew the stars. She knew escape!

An attempt has been made to describe for her what she never could have described herself.

The reaction, upon coming out again, was painful. Her life in the past as a governess, little better than a servant; her life in the present as lodging-house keeper; her struggle with servants, with taxes, with daily expenses; her knowledge that no future but a mere "living" lay in front of her until the grave was reached—these overwhelmed her with an intense depression that the contrast rendered almost insupportable. Whereas in his room she had perfume, freedom, liberty, and wonder—the wonder of some entirely new existence.

Thus, briefly, while Miss Speke longed for Mr. Thorley to leave her house, she became obsessed with the fear that one day he really would go. Her mind, it is seen, became uncommonly disturbed; her lodger's presence being undoubtedly the cause. Her nights were now more than restless, they were sleepless. Whence came, she asked herself repeatedly in the dark watches, her fear? Whence came, too, her strange enchantment?

It was at this juncture, then, that a further item of perplexity was added to her mind. Miss Speke, as has been seen, was honourably disposed; she respected the rights of others, their property as well. Yet, included in the odd mood of elation the room and its atmosphere caused her, was also a vagrant, elusive feeling that the intimate, the personal—above all, the personal—had lost their original rigidity. Small individual privacies, secrecy, no longer held their familiar meaning quite. The idea that most things in life were to be shared slipped into her. A "secret," to this expansive mood, was a childish attitude.

At any rate, it was while lingering in her lodger's attractive room one day—a habit now—that she did something that caused her surprise, yet did not shock her. She saw an open letter lying on his table—and she read it.

Rather than an actual letter, however, it seemed a note, a memorandum. It began "To J. L. T."

In a boyish writing, the meaning of the language escaped her entirely. She understood the strange words as little as she understood the phases of the moon, while yet she derived from their perusal a feeling of mysterious beauty, similar to the emotions the changes of that lovely satellite stirred in her:

"To J. L. T.

"I followed your instructions, though with intense effort and difficulty. I woke at 4 o'clock. About ten minutes later, as you said might happen, I woke a second time. The change into the second state was as great as the change from sleeping to waking, in the ordinary meaning of these words. But I could not remain ‘awake.' I fell asleep again in about a minute—back into the usual waking state, I mean. Description in words is impossible, as you know. What I felt was too terrific to feel for long. The new energy must presently have burned me up. It frightened me—as you warned me it would. And this fear, no doubt, was the cause of my ‘falling asleep' again so quickly.

"Cannot we arrange a Call for Help for similar occasions in future?

"G. P."

Against this note Mr. Thorley had written various strangest "squiggles"; higher mathematics, Miss Speke supposed. In the opposite margin, also in her lodger's writing, were these words:

"We must agree on a word to use when frightened. Help, or Help me, seems the best. To be uttered with the whole being."

Mr. Thorley had added a few other notes. She read them without the faintest prick of conscience. Though she understood no single sentence, a thrill of deep delight ran through her:

"It amounts, of course, to a new direction; a direction at right angles to all we know, a new direction in oneself, a new direction—in living. But it can, perhaps, be translated into mathematical terms by the intellect. This, however, only a simile at best. Cannot be experienced that way. Actual experience possible only to changed consciousness. But good to become mathematically accustomed to it. The mathematical experiments are worth it. They induce the mind, at any rate, to dwell upon the new direction. This helps . . ."

Miss Speke laid down the letter exactly where she had found it. No shame was in her. "G. P.," she knew, meant Gerald Pikestaffe; he was one of her lodger's best pupils, the one in Belgrave Square. Her feeling of mysterious elation, as already mentioned, seemed above all such matters as small secrecies or petty personal privacies. She had read a "private" letter without remorse. One feeling only caused in her a certain commonplace emotion: the feeling that, while she read the letter, her lodger was present, watching her. He seemed close behind her, looking over her shoulder almost, observing her acts, her mood, her very thoughts— yet not objecting. He was aware, at any rate, of what she did. . . .

It was under these circumstances that she bethought herself of her old tenant, the retired clergyman on the top floor, and sought his aid. The consolation of talking to another would be something, yet when the interview began all she could manage to say was that her mind was troubled and her heart not quite as it should be, and that she "didn't know what to do about it all." For the life of her she could not find more definite words. To mention Mr. Thorley she found suddenly utterly impossible.

"Prayer," the old man interrupted her half-way, "prayer, my dear lady. Prayer, I find," he repeated smoothly, "is always the best course in all one's troubles and perplexities. Leave it to God. He knows. And in His good time He will answer." He advised her to read the Bible and Longfellow. She added Florence Barclay to the list and followed his advice. The books, however, comforted her very little.

After some hesitation she then tried her other tenant. But the "banker" stopped her even sooner than the clergyman had done. MacPherson was very prompt:

"I can give you another ten shillings or maybe half a guinea," he said briskly. "Times are deeficult, I know. But I can't do more. If that's sufficient I shall be delighted to stay on—" and, with a nod and a quick smile that settled the matter then and there, he was through the door and down the steps on the way to his office.

It was evident that Miss Speke must face her troubles alone, a fact, for the rest, life had already taught her. The loyal, courageous spirit in her accepted the situation. The alternate moods of happiness and depression, meanwhile, began to wear out. "If only Mr. Thorley would go! If only Mr. Thorley will not go!" For some weeks now she had successfully avoided him. He made no requests nor complaints. His habits were as regular as sunrise, his payments likewise. Not even the servant mentioned him. He became a shadow in the house.

Then, with the advent of summer-time, he came home, as it were, an hour earlier than usual. He invariably worked from 5.30 to 7.30, when he went out for his dinner. Tea he always had at a pupil's house. It was a light evening, caused by the advance of the clock, and Miss Speke, mending her underwear at the window, suddenly perceived his figure coming down the street.

She watched, fascinated. Of two instincts—to hide herself, or to wait there and catch his eye—she obeyed the latter. She had not seen him for several weeks, and a deep thrill of happiness ran through her. His walk was peculiar, she noticed at once; he did not walk in a straight line. His tall, thin outline flowed down the pavement in long, sweeping curves, yet quite steadily. He was not drunk. He came nearer; he was not twenty feet away; at ten feet she saw his face clearly, and received a shock. It was worn, and thin, and wasted, but a light of happiness, of something more than happiness indeed, shone in it. He reached the area railings. He looked up. His face seemed ablaze. Their eyes met, his with no start of recognition, hers with a steady stare of wonder. She ran into the passage, and before Mr. Thorley had time to use his latchkey she had opened the door for him herself. Little she knew, as she stood there trembling, that she stood also upon the threshold of an amazing adventure.

Face to face with him her presence of mind deserted her. She could only look up into that worn and wasted face, into those happy, severe, and brilliant eyes, where yet burned a strange expression of wistful yearning, of uncommon wonder, of something that seemed not of this world quite. Such an expression she had never seen before upon any human countenance. Its light dazzled her. There was uncommon fire in the eyes. It enthralled her. The same instant, as she stood there gazing at him without a single word, either of welcome or enquiry, it flashed across her mind that he needed something from her. He needed help, her help. It was a far-fetched notion, she was well aware, but it came to her irresistibly. The conviction was close to her, closer than her skin.

It was this knowledge, doubtless, that enabled her to hear without resentment the strange words he at once made use of:

"Ah, I thank you, Miss Speke, I thank you," the thin lips parting in a smile, the shining eyes lit with an emotion of more than ordinary welcome. "You cannot know what a relief it is to me to see you. You are so sound, so wholesome, so ordinary, so—forgive me, I beg—so commonplace."

He was gone past her and upstairs into his sitting-room. She heard the key turn softly. She was aware that she had not shut the front door. She did so, then went back, trembling, happy, frightened, into her own room. She had a curious, rushing feeling, both frightful and bewildering, that the room did not contain her. . . . She was still sitting there two hours later, when she heard Mr. Thorley's step come down the stairs and leave the house. She was still sitting there when she heard him return, open the door with his key, and go up to his sitting-room. The interval might have been two minutes or two weeks, instead of two hours merely. And all this time she had the wondrous sensation that the room did not contain her. The walls and ceilings did not shut her in. She was out of the room. Escape had come very close to her. She was out of the house. . . . out of herself as well. . . .


She went early to bed, taking this time the Bible with her. Her strange sensations had passed, they had left her gradually. She had made herself a cup of tea and had eaten a soft-boiled egg and some bread-and-butter. She felt more normal again, but her nerves were unusually sensitive. It was a comfort to know there were two men in the house with her, two worthy men, a clergyman and a banker. The Bible, the banker, the clergyman, with Mrs. Barclay and Longfellow not far from her bed, were certainly a source of comfort to her.

The traffic died away, the rumbling of the distant motor-buses ceased, and, with the passing of the hours, the night became intensely still.

It was April. Her window was opened at the top and she could smell the cool, damp air of coming spring. Soothed by the books she began to feel drowsy. She glanced at the clock—it was just on two—then blew out the candle and prepared to sleep. Her thoughts turned automatically to Mr. Thorley, lying asleep on the floor above, his threads and paper strips and mysterious diagrams all about him—when, suddenly, a voice broke through the silence with a cry for help. It was a man's voice, and it sounded a long way off. But she recognised it instantly, and she sprang out of bed without a trace of fear. It was Mr. Thorley calling, and in the voice was anguish.

"He's in trouble! In danger! He needs help! I knew it!" ran rapidly through her mind, as she lit the candle with fingers that did not tremble. The clock showed three. She had slept a full hour. She opened the door and peered into the passage, but saw no one there; the stairs, too, were empty. The call was not repeated.

"Mr, Thorley!" she cried aloud. "Mr. Thorley! Do you want anything?" And by the sound of her voice she realised how distant and muffled his own had been. "I'm coming!"

She stood there waiting, but no answer came. There was no sound. She realised the uncommon stillness of the night.

"Did you call me?" she tried again, but with less confidence. "Can I do anything for you?"

Again there was no answer; nothing stirred; the house was silent as the grave. The linoleum felt cold against her bare feet, and she stole back to get her slippers and a dressing-gown, while a hundred possibilities flashed through her mind at once. Oddly enough, she never once thought of burglars, nor of fire, nor, indeed, of any ordinary situation that required ordinary help. Why this was so she could not say. No ordinary fear, at any rate, assailed her in that moment, nor did she feel the smallest touch of nervousness about her own safety.

"Was it—I wonder—a dream?" she asked herself as she pulled the dressing-gown about her. "Did I dream that voice—?" when the thrilling cry broke forth again, startling her so that she nearly dropped the candle:

"Help! Help! Help me!"

Very distinct, yet muffled as by distance, it was beyond all question the voice of Mr. Thorley. What she had taken for anguish in it she now recognised was terror. It sounded on the floor above, it was the closed door doubtless that caused the muffled effect of distance.

Miss Speke ran along the passage instantly, and with extraordinary speed for an elderly woman; she was half-way up the stairs in a moment, when, just as she reached the first little landing by the bathroom and turned to begin the second flight the voice came again: "Help! Help!" but this time with a difference that, truth to tell, did set her nerves unpleasantly aquiver. For there were two voices instead of one, and they were not upstairs at all. Both were below her in the passage she had just that moment left. Close they were behind her. One, moreover, was not the voice of Mr. Thorley. It was a boy's clear soprano. Both called for help together, and both held a note of terror that made her heart shake.

Under these conditions it may be forgiven to Miss Speke that she lost her balance and reeled against the wall, clutching the banisters for a moment's support. Yet her courage did not fail her. She turned instantly and quickly went downstairs again—to find the passage empty of any living figure. There was no one visible. There was only silence, a motionless hat-rack, the door of her own room slightly ajar, and shadows.

"Mr. Thorley!" she called. "Mr. Thorley!" her voice not quite so loud and confident as before. It had a whisper in it. No answer came. She repeated the words, her tone with still less volume. Only faint echoes that seemed to linger unduly came in response. Peering into her own room she found it exactly as she had left it. The dining-room, facing it, was likewise empty. Yet a moment before she had plainly heard two voices calling for help within a few yards of where she stood. Two voices! What could it mean? She noticed now for the first time a peculiar freshness in the air, a sharpness, almost a perfume, as though all the windows were wide open and the air of coming spring was in the house.

Terror, though close, had not yet actually gripped her. That she had gone crazy occurred to her, but only to be dismissed. She was quite sane and self-possessed. The changing direction of the sounds lay beyond all explanation, but an explanation, she was positive, there must be. The odd freshness in the air was heartening, and seemed to brace her. No, terror had not yet really gripped her. Ideas of summoning the servant, the clergyman, the banker, these she equally dismissed. It was no ordinary help that was needed, not theirs at any rate. She went boldly upstairs again and knocked at Mr. Thorley's bedroom door. She knocked again and again, loud enough to waken him, if he had perchance called out in sleep, but not loud enough to disturb her other tenants. No answer came. There was no sound within. No light shone through the cracks. With his sitting-room the same conditions held.

It was the strangeness of the second voice that now stole over her with a deadly fear. She found herself cold and shivering. As she, at length, went slowly downstairs again the cries were suddenly audible once more. She heard both voices: "Help! Help! Help me!" Then silence. They were fainter this time. Far away, they sounded, withdrawn curiously into some remote distance, yet ever with the same anguish, the same terror in them as before. The direction, however, this time she could not tell at all. In a sense they seemed both close and far, both above her and below; they seemed—it was the only way she could describe the astounding thing—in any direction, or in all directions.

Miss Speke was really terrified at last. The strange, full horror of it gripped her, turning her heart suddenly to ice. The two voices, the terror in them, the extraordinary impression that they had withdrawn further into some astounding distance—this overcame her. She became appalled. Staggering into her room, she reached the bed and fell upon it in a senseless heap. She had fainted.


She slept late, owing probably to exhausted nerves. Though usually up and about by 7.30, it was after nine when the servant woke her. She sprawled half in the bed, half out; the candle, which luckily had extinguished itself in falling, lay upon the carpet. The events of the night came slowly back to her as she watched the servant's face. The girl was white and shaking.

"Are you ill, mum?" Lizzie asked anxiously in a whisper; then, without waiting for an answer, blurted out what she had really come in to say: "Mr. Thorley, mum! I can't get into his room. There's no answer." The girl was very frightened.

Mr. Thorley invariably had breakfast at 8 o'clock, and was out of the house punctually at 8.45.

"Was he ill in the night—perhaps—do you think?" Miss Speke said. It was the nearest she could get to asking if the girl had heard the voices. She had admirable control of herself by this time. She got up, still in her dressing-gown and slippers.

"Not that I know of, mum," was the reply.

"Come," said her mistress firmly. "We'll go in." And they went upstairs together.

The bedroom door, as the girl had said, was closed, but the sitting-room was open. Miss Speke led the way. The freshness of the night before lay still in the air, she noticed, though the windows were all closed tightly. There was an exhilarating sharpness, a delightful tang as of open space. She particularly mentions this. On the carpet, as usual, lay the strips of white paper, fastened with small pins, and the silk threads, also as usual, stretched across from lintel to cupboard, from window to bracket. Miss Speke brushed several of them from her face.

The door into the bedroom she opened, and went boldly in, followed more cautiously by the girl. "There's nothing to be afraid of," said her mistress firmly. The bed, she saw, had not been slept in. Everything was neat and tidy. The long mirror stood close against the wall, showing its ugly back as usual, while about its four feet clustered the curved strips of paper Miss Speke had grown accustomed to.

"Pull the blinds up, Lizzie," she said in a quiet voice.

The light now enabled her to see everything quite clearly. There were silken threads, she noticed distinctly, stretching from bed to window, and though both windows were closed there was this strange sweetness in the air as of a flowering spring garden. She sniffed it with a curious feeling of freedom, of release, though Lizzie, apparently, noticed nothing of all this.

"There's his 'at and mackintosh," the girl whispered in a frightened voice, pointing to the hooks on the door. "And the umbrella in the corner. But I don't see 'is boots, mum. They weren't put out to be cleaned.

Miss Speke turned and looked at her, voice and manner under full command. "What do you mean?" she asked.

"Mr. Thorley ain't gone out, mum," was the reply in a tremulous tone.

At that very moment a faint, distant cry was audible in a man's voice: "Help! Help!" Immediately after it a soprano, fainter still, called from what seemed even greater distance: "Help me!" The direction was not ascertainable. It seemed both in the room, yet far away outside in space above the roofs. A glance at the girl convinced Miss Speke that she had heard nothing.

"Mr. Thorley is not here," whispered Miss Speke, one hand upon the brass bed-rail for support.

The room was undeniably empty.

"Leave everything exactly as it is," ordered her mistress as they went out. Tears stood in her eyes, she lingered a moment on the threshold, but the sounds were not repeated. "Exactly as it is," she repeated, closing the bedroom and then the sitting-room door behind her. She locked the latter, putting the key in her pocket. Two days later, as Mr. Thorley had not returned, she informed the police. But Mr. Thorley never returned. He had disappeared completely. He left no trace. He was never heard of again, though—once—he was seen.

Yet, this is not entirely accurate perhaps, for he was seen twice, in the sense that he was seen by two persons, and though he was not "heard of," he was certainly heard. Miss Speke heard his voice from time to time. She heard it in the daytime and at night; calling for help and always with the same words she had first heard: "Help! Help! Help me!" It sounded very far away, withdrawn into immense distance, the distance ever increasing. Occasionally she heard the boy's voice with it; they called together sometimes; she never heard the soprano voice alone. But the anguish and terror she had first noticed were no longer present. Alarm had gone out of them. It was more like an echo that she heard. Through all the hubbub, confusion and distressing annoyance of the police search and enquiry, the voice and voices came to her, though she never mentioned them to a single living soul, not even to her old tenants, the clergyman and the banker. They kept their rooms on—which was about all she could have asked of them. The best suite was never let again. It was kept locked and empty. The dust accumulated. The mirror remained untouched, its face against the wall.

The voices, meanwhile, grew more and more faint; the distance seemed to increase; soon the voice of the boy was no longer heard at all, only the cry of Mr. Thorley, her mysterious but perfect lodger, sang distantly from time to time, both in the sunshine and in the still darkness of the night hours. The direction whence it came, too, remained, as before, undeterminable. It came from anywhere and everywhere—from above, below, on all sides. It had become, too, a pleasant, even a happy sound; no dread belonged to it any more. The intervals grew longer then; days first, then weeks passed without a sound; and invariably, after these increasing intervals, the voice had become fainter, weaker, withdrawn into ever greater and greater distance. With the coming of the warm spring days it grew almost inaudible. Finally, with the great summer heats, it died away completely.


The disappearance of Mr. Thorley, however, had caused no public disturbance on its own account, nor until it was bracketed with another disappearance, that of one of his pupils, Sir Mark Pikestaffe's son. The Pikestaffe Case then became a daily mystery that filled the papers. Mr. Thorley was of no consequence, whereas Sir Mark was a figure in the public eye.

Mr. Thorley's life, as enquiry proved, held no mystery. He had left everything in order. He did not owe a penny. He owned, indeed, considerable property, both in land and securities, and teaching mathematics, especially to promising pupils, seemed to have been a hobby merely. A half-brother called eventually to take away his few possessions, but the books and instruments he had brought into the lodging-house were never traced. He was a scholar and a gentleman to the last, a man, too, it appeared, of immense attainments and uncommon ability, one of the greatest mathematical brains, if the modest obituaries were to be believed, the world has ever known. His name now passed into oblivion. He left no record of his researches or achievements. Out of some mysterious sense of loyalty and protection Miss Speke never mentioned his peculiar personal habits. The strips of paper, as the silken threads, she had carefully removed and destroyed long before the police came to make their search of his rooms. . . .

But the disappearance of young Gerald Pikestaffe raised a tremendous hubbub. It was some days before the two disappearances were connected, both having occurred on the same night, it was then proved. The boy, a lad of great talent, promising a brilliant future, and the favourite pupil of the older man, his tutor, had not even left the house. His room was empty—and that was all. He left no clue, no trace. Terrible hints and suggestions were, of course, spread far and wide, but there was not a scrap of evidence forthcoming to support them, Gerald Pikestaffe and Mr. Thorley, at the same moment of the same night, vanished from the face of the earth and were no more seen. The matter ended there. The one link between them appeared to have been an amazing, an exceptional gift for higher mathematics. The Pikestaffe Case merely added one more to the insoluble mysteries with which commonplace daily life is sprinkled.

It was some six weeks to a month after the event that Miss Speke received a letter from one of her former charges, the most generous one, now satisfactorily finished with the Bankruptcy Court. He had honourably discharged his obligations; he was doing well; he wrote and asked Miss Speke to put him up for a week or two. "And do please give me Mr. Thorley's room," he asked. "The case thrilled me, and I should like to sleep in that room. I always loved mysteries, you remember. . . . There's something very mysterious about this thing. Besides, I knew the P. boy a little—an astounding genius, if ever there was one."

Though it cost her much effort and still more hesitation, she consented finally. She prepared the rooms herself. There was a new servant, Lizzie having given notice the day after the disappearance, and the older woman who now waited upon the clergyman and the banker was not quite to be trusted with the delicate job. Miss Speke, entering the empty rooms on tiptoe, a strange trepidation in her heart, but that same heart firm with courage, drew up the blinds, swept the floors, dusted the furniture, and made the bed. All she did with her own hands. Only the full-length mirror she did not touch. What terror still was in her clung to that handsome piece. It was haunted by memories. For her it was still both wonderful and somehow awful. The ghost of her strange experience hid invisibly in its polished, if now unseen, depths. She dared not handle it, far less move it from the resting-place where it rested in peace. His hands had placed it there. To her it was sacred.

It had been given to her by Colonel Lyle, who would now occupy the room, stand on the wondrous carpet, move through the air where once the mysterious silks had floated, sleep in the very bed itself. All this he could do, but the mirror he must not touch.

"I'll explain to him a little. I'll beg him not to move it. He's very understanding," she said to herself, as she went out to buy some flowers for the sitting-room. Colonel Lyle was expected that very afternoon. Lilac, she remembered, was what he always liked. It took her longer than she expected to find really fresh bunches, of the colour that he preferred, and when she got back it was time to be thinking about his tea. The sun's rays fell slanting down the dingy street, touching it with happy gold. This, with thoughts of the tea-kettle and what vase would suit the flowers best, filled her mind as she passed along the linoleum in the narrow hall—then noticed suddenly a new hat and coat hanging on the usually empty pegs. Colonel Lyle had arrived before his time.

"He's already come," she said to herself with a little gasp. A heavy dread settled instantly on her spirit. She stood a moment motionless in the passage, the lilac blossoms in her hand. She was listening.

"The gentleman's come, mum," she heard the servant say, and at the same moment saw her at the top of the kitchen stairs in the hall. "He went up to his room, mum."

Miss Speke held out the flowers. With an effort to make her voice sound ordinary she gave an order about them. "Put them in water, Mary, please. The double vase will do." She watched the woman take them slowly, oh, so slowly, from her. But her mind was elsewhere. It was still listening. And after the woman had gone down to the kitchen again slowly, oh, so slowly, she stood motionless for some minutes, listening, still intently listening. But no sound broke the quiet of the afternoon. She heard only the blundering noises made by the woman in the kitchen below. On the floor above was—silence.

Miss Speke then turned and went upstairs.

Now, Miss Speke admits frankly that she was "in a state," meaning thereby, doubtless, that her nerves were tightly strung. Her heart was thumping, her ears and eyes strained to their utmost capacity; her hands, she remembers, felt a little cold, and her legs moved uncertainly. She denies, however, that her "state," though it may be described as nervous, could have betrayed her into either invention or delusion. What she saw she saw, and nothing can shake her conviction. Colonel Lyle, besides, is there to support her in the main outline, and Colonel Lyle, when first he had entered the room, was certainly not "in a state," whatever excuses he may have offered later to comfort her. Moreover, to counteract her trepidation, she says that, as she pushed the door wide open—it was already ajar—the original mood of elation met her in the face with its lift of wonder and release. This modified her dread. She declares that joy rushed upon her, and that her "nerves" were on the instant entirely forgotten.

"What I saw I saw," remains her emphatic and unshakable verdict. "I saw—everything."

The first thing she saw admitted certainly of no doubt. Colonel Lyle lay huddled up against the further wall, half upon the carpet and half-leaning on the wainscoting. He was unconscious. One arm was stretched towards the mirror, the hand still clutching one of its mahogany feet. And the mirror had been moved. It turned now slightly more towards the room.

The picture, indeed, told its own story, a story Colonel Lyle himself repeated afterwards when he had recovered. He was surprised to find the mirror—his mirror—with its face to the wall; he went forward to put it in its proper position; in doing this he looked into it; he saw something, and—the next thing he knew—Miss Speke was bringing him round.

She explains, further, that her overmastering curiosity to look into the mirror, as Colonel Lyle had evidently looked himself, prevented her from immediately rendering first-aid to that gentleman, as she unquestionably should have done. Instead, she crossed the room, stepped over his huddled form, turned the mirror a little further round towards her, and looked straight into it.

The eye, apparently, takes in a great deal more than the mind is consciously aware of having "seen" at the moment. Miss Speke saw everything, she claims. But details certainly came back to her later, details she had not been aware of at the time. At the moment, however, her impressions, though extremely vivid, were limited to certain outstanding items. These items were—that her own reflection was not visible, no picture of herself being there; that Mr. Thorley and a boy—she recognised the Pikestaffe lad from the newspaper photographs she had seen—were plainly there, and that books and instruments in great quantity filled all the nearer space, blocking up the fore ground*. Beyond, behind, stretching in all directions, she affirms, was empty space that produced upon her the effect of the infinite heavens as seen in a clear night sky. This space was prodigious, yet in some way not alarming. It did not terrify; rather it comforted, and, in a sense, uplifted. A diffused soft light pervaded the huge panorama. There were no shadows, there were no high lights.

Curiously enough, however, the absence of any reproduction of herself did not at first strike her as at all out of the way; she noticed the fact, no more than that; it was, perhaps, naturally, the deep shock of seeing Mr. Thorley and the boy that held her absolutely spell-bound, arresting her faculties as though they had been frozen.

Mr. Thorley was moving to and fro, his body bent, his hand thrown forward. He looked as natural as in life. He moved steadily, as with a purpose, now nearer, now further, but his figure always bent as though he were intent upon something in his hands. The boy moved, too, but with a more gentle, less vigorous, motion that suggested floating. He followed the larger figure, keeping close, his face raised from time to time as though his companion spoke to him. The expression that he wore was quiet, peaceful, happy and intent. He was absorbed in what he was doing at the moment. Then, suddenly, Mr. Thorley straightened himself up. He turned. Miss Speke saw his face for the first time. He looked into her eyes. The face blazed with light. The gaze was straight, and full, and clear. It betrayed recognition. Mr. Thorley smiled at her.

In a very few seconds she was aware of all this, of its main outlines, at any rate. She saw the moving, living figures in the midst of this stupendous and amazing space. The overwhelming surprise it caused her prevented, apparently, the lesser emotion of personal alarm; fear she certainly did not feel at first. It was when Mr. Thorley looked at her with his brilliant eyes and blazing smile that her heart gave its violent jump, missed a beat or two, then began hammering against her ribs like released machinery that has gone beyond control. She was aware of the happy glory in the face, a face that was thin to emaciation, almost transparent, yet wearing an expression that was no longer earthly. Then, as he smiled, he came towards her; he beckoned; he stretched both hands out, while the boy looked up and watched.

Mr. Thorley's advance, however, had two distracting peculiarities—that as he drew nearer he moved not in a straight line, but in a curve. As a skater performing "edges," though on both feet instead of on one, he swept gracefully and with incredible speed in her direction. The other peculiarity was that with each step nearer his figure grew smaller. It lessened in height. He seemed, indeed, to be moving in two directions at once. He became diminutive.

The sight ought by rights to have paralysed her, yet it produced again, instead of terror, an effect of exhilaration she could not possibly account for. There came once again that fine elation to her mind. Not only did all desire to resist die away almost before it was born, but more, she felt its opposite—an overpowering wish to join him. The tiny hands were still stretched out to greet her, to draw her in, to welcome her; the smile upon the diminutive face, as it came nearer and nearer, was enchanting. She heard his voice then:

"Come, come to us! Here reality is nearer, and there is liberty. . . .!"

The voice was very close and loud as in life, but it was not in front. It was behind her. Against her very ear it sounded in the air behind her back. She moved one foot forward; she raised her arms. She felt herself being sucked in—into that glorious space. There was an indescribable change in her whole being.

The cumulative effect of so many amazing happenings, all of them contrary to nature, should have been destructive to her reason. Their combined shock should have dislocated her system somewhere and have laid her low. But with every individual, it seems, the breaking-point is different. Her system, indeed, was dislocated, and a moment later and she was certainly laid low, yet it was not the effect of the figure, the voice, the gliding approach of Mr. Thorley that produced this. It was the flaw of little human egoism that brought her down. For it was in this instant that she first realised the absence of her own reflection in the mirror. The fact, though noticed before, had not entered her consciousness as such. It now definitely did so. The arms she lifted in greeting had no reflected counterpart. Her figure, she realised with a shock of terror, was not there. She dropped, then, like a stricken animal, one outstretched hand clutching the frame of the mirror as she did so.

"Gracious God!" she heard herself scream as she collapsed. She heard, too, the crash of the falling mirror which she overturned and brought down with her.

Whether the noise brought Colonel Lyle round, or whether it was the combined weight of Miss Speke and the handsome piece upon his legs that roused him, is of no consequence. He stirred, opened his eyes, disentangled himself and proceeded, not without astonishment, to render first-aid to the unconscious lady.

The explanations that followed are, equally, of little consequence. His own attack, he considered, was chiefly due to fatigue, to violent indigestion, and to the after-effects of his protracted bankruptcy proceedings. Thus, at any rate, he assured Miss Speke. He added, however, that he had received rather a shock from the handsome piece, for, surprised at finding it turned to the wall, he had replaced it and looked into it, but had not seen himself reflected. This had amazed him a good deal, yet what amazed him still more was that he had seen something moving in the depths of the glass. "I saw a face," he said, "and it was a face I knew. It was Gerald Pikestaffe. Behind him was another figure, the figure of a man, whose face I could not see." A mist rose before his eyes, his head swam a bit, and he evidently swayed for some unaccountable reason. It was a blow received in falling that stunned him momentarily.

He stood over her, while he fanned her face; her swoon was of brief duration; she recovered quickly; she listened to his story with a quiet mind. The after-effect of too great wonder leaves no room for pettier emotions, and traces of the exhilaration she had experienced were still about her heart and soul.

"Is it smashed?" was the first thing she asked, to which Colonel Lyle made no answer at first, merely pointing to the carpet where the frame of the long mirror lay in broken fragments.

"There was no glass, you see," he said presently. He, too, was quiet, his manner very earnest; his voice, though subdued as by a hint of awe, betrayed the glow of some intense inner excitement that lit fire in his eyes as well. "He had cut it out long ago, of course. He used the empty framework merely."

"Eh?" said Miss Speke, looking down incredulously, but finding no sign of splinters on the floor.

Her companion smiled. "We shall find it about somewhere if we look," he said calmly, which, indeed, proved later true—lying flat beneath the carpet under the bed. "His measurements and calculations led—probably by chance—towards the mirror"—he seemed speaking to himself more than to his bewildered listener—"perhaps by chance, perhaps by knowledge," he continued, "up to the mirror—and then through it." He looked down at Miss Speke and laughed a little. "So, like Alice, he went through it, too, taking his books and instruments, the boy as well, all with him. The boy, that is, had the knowledge too."

"I only know one thing," said Miss Speke, unable to follow him or find meaning in his words, "I shall never let these rooms again. I shall lock them up."

Her companion collected the broken pieces and made a little heap of them.

"And I shall pray for him," added Miss Speke, as he led her presently downstairs to her own quarters. "I shall never cease to pray for him as long as I live."

"He hardly needs that," murmured Colonel Lyle, but to himself. "The first terror has long since left him. He's found the new direction—and moved along it."